Florida FAST Practice Questions (2026) — Free Sample Questions with Answers

15 free Florida FAST questions from our 150-question bank, grouped by content domain. Each answer explains why the right option is right — and why every wrong option is wrong.

0 of 15 answered — answer a question to check it Take a full Florida FAST practice test

Reading Prose and Poetry

Question 1

How do lines 19–24 add to the meaning of the poem?

Read the poem "Low Tide" and answer the questions that follow. Each line of the poem is numbered.

Low Tide — by Miriam Sorensen

1At the ebb my mother walks the flats

2the way she used to walk me to the bus:

3slowly, naming everything.

4Whelk. Moon snail. Sand dollar.

5The sea has stepped back a quarter mile

6and left its pockets turned out on the sand.

7She bends to a tide pool, lifts a crab

8the size of a button, tells it, There now,

9and sets it down where the water still is.

10Her hands remember this.

11Her hands remember more than she does lately—

12the knot for the skiff, the weight of a casting net,

13my name, some mornings, arriving late

14like a guest who has lost the address.

15Behind us the channel markers lean

16in the mud, waiting to be useful again.

17The gulls are loud about it. I am not.

18I carry the bucket. I let her lead.

19Everyone here knows the tide comes back.

20That is the first thing they teach you on this coast,

21the comfort they give to tourists and children:

22nothing the sea takes out is gone for good.

23I want to believe it. I watch the line of foam

24come glittering in across the bar,

25and my mother turns and lifts her hand to it

26as if to a neighbor, or a ship, or someone

27she is almost sure she knows.

The stanzas of the poem are lines 1–6, 7–12, 13–18, 19–24 and 25–27.

whelk, moon snail: kinds of sea snails. skiff: a small boat. bar: a ridge of sand near the shore.

This poem is an original text written for this practice set; Miriam Sorensen is a fictional poet.

Show answer & explanation

Answer: D

They show that the speaker has accepted that her mother's illness will soon end.: The speaker says only "I want to believe it," which signals doubt, not acceptance.

They suggest that the speaker wishes to leave the coast as the tourists do.: The tourists are mentioned as people who are comforted, not as a model for leaving.

They reveal that the mother has forgotten the danger of the returning tide.: These lines are about the speaker's thoughts; the mother does not appear in them.

They contrast the coast's belief in return with the speaker's doubt about it.: Correct. The saying "nothing the sea takes out is gone for good" (line 22) invites a hope that the mother's memory will return like the tide, and "I want to believe it" (line 23) shows the speaker cannot quite do so. The tide carries two layers of meaning.

In a poem, a natural image often stands for a human situation; read the speaker's response to the image to find its second layer of meaning.

Question 2

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: Which universal theme is developed through the grandfather's choice?

Show answer & explanation

Answer: A

Facing an old fear for another's sake can begin to heal a past wound.: Correct. He makes the flood crossing he has refused since the accident so that a sick child can be reached, and afterward he begins to hum again (lines 45–56).

People must eventually pay a heavy price for their past mistakes.: Partly supported by "debt" (line 43), but the poem ends with healing, not punishment, and the accident was not shown to be his fault.

A community's judgment of a person usually turns out, in the end, to be correct.: The poem undercuts the town's verdict that he is "frightened."

Taking a risk is always wiser than being cautious.: An absolute: the grandfather's warning that "The river doesn't care" is never shown to be foolish.

A universal theme is a general statement about people, not a plot summary; confirm it by tracing how a character changes or what a reversal teaches.

Question 3

Read the passage "What My Brother Does All Day" and answer the questions that follow.

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: How does the reader's understanding of Elias differ from Kit's?

What My Brother Does All Day

1Everyone in our family agrees that my brother Elias used to be somebody. He ran the 800 meters in a time that got his picture in the Lakeland Courier, and Coach Delacroix said he had "the lungs of a much larger animal," which Elias had printed on a T-shirt. That was last spring. This fall he quit the team without telling anyone, and now, as far as I can tell, my brother's main activity is sleeping.

2I am not exaggerating. Elias sleeps until one in the afternoon on Saturdays. He comes home from school, eats standing up at the counter, and goes into his room, and when I knock he says, "Not now, Kit," in a voice like a door closing. Around ten at night he leaves again. Mom says he is "helping out a friend." I am thirteen, not stupid.

3Here is my evidence. One: his sneakers, which he leaves by the back door, smell like the inside of a fast-food bag. Two: on Tuesday I found a roll of bills in his jacket pocket—not a lot, but more than a person gets for helping out a friend. Three: last month, after Mom's hours at the clinic were cut, a pink notice from the electric company sat on the refrigerator under the pineapple magnet for nine days. Then it disappeared, and Mom stopped sighing at the mailbox, and Elias started drinking his coffee black, the way Dad used to, even though he hates it.

4I laid all of this evidence out for my friend Hollis on the bus, and Hollis was incredulous that I had not figured it out already. "He's selling something," he said. "Obviously." I said I didn't think so, but I also couldn't think of anything better.

5On Friday I decided to stay awake until Elias came home. I sat on the stairs in the dark with a flashlight I didn't turn on, practicing what I would say. At 2:14 a.m. the back door opened. Elias came in slowly, the way old men climb out of cars. He was wearing a paper hat. He took it off, looked at it as if it had said something rude to him, and dropped it in the trash.

6Then he saw me.

7I expected him to yell. Instead he sat down on the bottom step, two below me, and for a while neither of us said anything. He smelled like the sneakers.

8"You're supposed to be asleep," he said finally.

9"So are you," I said. "That's what you do. You sleep."

10He laughed—one short breath through his nose—and rubbed his eyes with the heels of his hands. "Yeah," he said. "That's what I do." He stood up, put his hand on top of my head for a second, the way he did when I was little, and went upstairs.

11I still don't know exactly where he goes. But I have decided to stop telling Hollis about it, and on Saturday, when Elias slept until one, I made sure the television stayed off.

This story was written for this practice set. All characters and places are fictional.

Show answer & explanation

Answer: C

Kit believes Elias is working hard, but the details suggest Elias has simply lost interest in everything.: Reverses the perspectives: Kit is the one who calls him lazy.

Kit suspects Elias is selling something, and the details confirm that suspicion for the reader.: This is Hollis's theory, which Kit doubts and the details (paper hat, paid bill) do not support.

Kit suspects laziness or wrongdoing, but the details suggest Elias works nights to help pay the bills.: Correct. Kit reads the late nights, cash and fryer-smelling sneakers as signs of trouble, while the vanished electric notice, the cut clinic hours and the paper hat point to a night job (narrator vs. character perspective).

Kit believes Elias quit track because of an injury, but the details suggest he quit out of boredom.: Kit never mentions an injury, and boredom is not what the clues point to.

Separate what the narrator knows or believes from what the text lets the reader see; conflicting perspectives are revealed by the gap between them.

Question 4

Select the box to show whether each description applies to Lena, to her mother, or to both characters.

LenaLena's motherBoth Characters
Objects to the driving lessons when they are first proposed
Thinks of the lessons at first as something that belongs only to her
Accepts a new role during the drive to Hadley
Select one option in each row.
Show answer & explanation

Answer: Objects to the driving lessons when they are first proposed: Lena's mother; Thinks of the lessons at first as something that belongs only to her: Lena; Accepts a new role during the drive to Hadley: Both Characters

Separate what the narrator knows or believes from what the text lets the reader see; conflicting perspectives are revealed by the gap between them.

Question 5

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: Which universal theme is developed in the passage?

Show answer & explanation

Answer: A

A tradition can survive change when its new keepers learn what made it meaningful.: Correct. Gideon's fear that the machine will ring "nothing more" than correct strokes is reversed when Calvin programs the Saturday lift and the held fourth stroke he learned from Gideon (paragraphs 10, 14–15).

Pride can keep a person from accepting the help that he truly needs as he grows older.: Partly supported (Gideon refuses the rail at first), but the ending turns on Calvin learning the tradition, not on Gideon being punished for pride.

Modern machines inevitably strip old customs of their human meaning.: An absolute that the ending contradicts: the machine comes to ring with the old meaning.

Communities seldom notice when a familiar person disappears from daily life.: Not developed; the story focuses on how the ringing changes, and Gideon, not the town, is the one who notices.

A universal theme is a general statement about people, not a plot summary; confirm it by tracing how a character changes or what a reversal teaches.

Reading Informational Text

Question 6

Which statement best expresses the central idea of the essay?

Read the essay "A Plea for the Children's Commons" and answer the questions that follow.

A Plea for the Children's Commons — by Silas Underwood

1There is in every great American city a class of citizens who own no property, cast no votes, and hold no office, and who are nevertheless the city's most important inhabitants. I mean the children. Walk any evening through the crowded wards along our river, and you will find them by the hundreds—playing ball between the wheels of carts, chalking games upon the paving stones, perched on fire escapes four stories above the street. They play there not because they are reckless but because there is nowhere else for them to play.

2It will be said that the city has parks. It has, and fine ones: broad lawns, shaded drives, and ponds where swans glide for the pleasure of those who can afford a carriage to reach them. But the nearest of these lies two miles from the tenement districts, and a child of eight does not walk two miles to play, nor can a working mother spare the carfare to send him. A park that the poor cannot reach is, for the poor, no park at all.

3What I propose is modest in cost and great in consequence. Let the city buy, in every crowded ward, a single block of ground—even a vacant lot—and fence it, level it, and fill it with sand, swings, and open space. Let it hire a sensible man or woman to keep order there in the afternoons. Such places have been tried in other cities, and where they have been tried, the reports agree: fewer children are struck in the streets, fewer boys are hauled before the magistrate for petty mischief, and the neighborhoods themselves grow quieter and more neighborly.

4Some will object that the taxpayer has burdens enough already. I answer that he is paying now, and paying more. He pays for the hospital ward that mends the child run down by a wagon; he pays for the police court and the reform school that receive the boy whose trouble began as idleness. The city will spend its money on these children in any case. It may spend it on playgrounds, or it may spend it on prisons.

5Nor is the matter one of dollars alone. A republic depends upon citizens who have learned to take turns, to keep rules they did not write, and to win and lose with grace. Where do children learn these things, if not at play? The child who has never had a fair game has never had a lesson in fairness. Give him a playground, and you give the republic a citizen; deny it to him, and you should not be surprised by the man he becomes.

6The children of the river wards cannot petition the council; they cannot write to the newspapers. Someone must speak for them. Let it be us, and let it be soon.

ward: a political district of a city. carfare: the fare for a streetcar ride. magistrate: a local judge who hears minor cases.

This essay is an original text written for this practice set in the style of an 1890s American magazine essay; Silas Underwood is a fictional author.

Show answer & explanation

Answer: D

The city's large parks cost too much for working families to visit very often.: A detail from paragraph 2, and the problem there is distance and carfare, not the parks' cost; it is not the central idea.

Children in the river wards are reckless and need much closer adult supervision on the streets.: Contradicts paragraph 1, which says they play in the streets "not because they are reckless."

Taxpayers already pay far too much for hospitals, courts, and reform schools.: A supporting point from paragraph 4, used to answer an objection, not the essay's main claim.

The city should build ward playgrounds because they serve children and the public.: Correct. The essay proposes neighborhood playgrounds (paragraph 3) and argues that they help children, taxpayers and the republic (paragraphs 3–5).

A central idea accounts for the whole text; test each choice by asking whether every paragraph supports it.

Question 7

How does the timeline add to the information in paragraph 6?

Show answer & explanation

Answer: A

It lists the order in which the rules took effect, which paragraph 6 only summarizes.: Correct. Paragraph 6 says the rules "would phase in over three nesting seasons"; the timeline shows that sequence (shielding in 2018, bulb color in 2019, full compliance in 2020).

It shows that the council voted on the ordinance at each of its four public hearings.: The timeline lists four hearings in 2016 but only one passage of the ordinance, in 2017.

It shows that the grant program had already ended before the shielding rule began.: Reverses the order: shielding began in 2018, and the grant deadline came in 2020.

It explains why business owners believed that the new fixtures were too costly.: The timeline notes that owners submitted estimates but gives no reasons.

Compare a text feature with the paragraph it supports: does it add detail, sequence, or evidence that the paragraph leaves out?

Question 8

How do the authors of the two passages use the 6 percent rise in sales-tax receipts differently?

Read the passages "Mercer Street Has Already Answered the Question" and "The Mercer Street Numbers Deserve a Closer Look." Both opinion articles respond to the same city report on a one-year pilot program that closed four blocks of Mercer Street to cars. Then answer the questions that follow.

Passage 1: Mercer Street Has Already Answered the Question — by Yolanda Pruitt

1A year ago this month, the city placed planters across both ends of Mercer Street and handed the four blocks between them to people on foot. Critics predicted an empty, dying corridor. Last week the city's transportation office released its twelve-month report on the pilot, and the numbers tell a different story. The council should vote on June 9 to make the closure permanent.

2Start with the people. Weekday pedestrian counts on Mercer rose 31 percent over the year before the pilot. Anyone who walks the street at noon has seen the change: office workers eating on the benches, students sketching the old bank building, strollers where delivery vans once double-parked. Parents let children ride bicycles there now, and retirees who once avoided the narrow sidewalks walk it every morning. A street is a public room, and for the first time in decades this one is full.

3Those visitors are spending money. Sales-tax receipts from Mercer Street businesses climbed 6 percent compared with the previous year. Three new businesses opened on the street during the pilot, among them a bakery and a bicycle repair shop that had been searching for a storefront for two years. Yes, two older businesses closed. But shops open and close on every commercial street in America, with or without cars; what matters is that more businesses arrived than left.

4The safety record alone should settle the matter. In the year before the pilot, Mercer Street saw four crashes that injured someone. During the pilot it saw one, and that involved a cyclist and a delivery cart. Is a parking space worth more than a child's safety? Every parent who has crossed Mercer with a toddler knows the answer.

5Opponents point to heavier traffic on Orchard Avenue, which rose 12 percent at the evening rush. That is a real cost, and the city should address it by retiming the signals on Orchard and adding the bus service it has long promised. But a few extra minutes in a car at five o'clock is a modest price for a street where people can actually linger. Traffic, like water, finds its level; drivers will adjust as they have in every city that has tried this.

6Finally, the residents have spoken. In the city's survey, 62 percent of the 1,200 respondents favored keeping Mercer closed to cars. The council asked the public what it wanted, and the public answered. Mercer Street has given us a year of evidence. Now the council needs only the courage to read it.

Yolanda Pruitt teaches history at a local high school and lives two blocks from Mercer Street.

Passage 2: The Mercer Street Numbers Deserve a Closer Look — by Martin Okafor

1Supporters of the Mercer Street closure have a new favorite document: the city's twelve-month report on the pilot. I have read it too, more than once, at the counter of the hardware store my parents opened on Mercer in 1974. I do not doubt the numbers. I doubt the conclusions being drawn from them.

2Consider the headline figure, the 6 percent increase in sales-tax receipts. It sounds impressive until you turn to page 14, where the same report notes that receipts across the entire city rose 5 percent over the same period. In other words, Mercer Street did almost exactly what every other street did. The closure did not create a boom; at best, it rode a wave that lifted everyone.

3The pedestrian count is similarly incomplete. The 31 percent rise was measured on weekdays between 11 a.m. and 2 p.m., the lunch hours when cafés are busiest. No one counted the evening and Saturday shoppers who once drove in for a gallon of paint or a set of hinges, because many of them no longer come. The street is fuller at lunchtime; it is not necessarily fuller of customers.

4Then there are the two closures, which the report mentions in a single sentence. One was a shoe-repair shop that had served this city for forty-one years; the other was a pharmacy whose older customers could no longer park near the door. Both spaces now hold businesses that sell coffee and pastries. I wish the new owners well. But a street where you can buy a latte and not a prescription has not been improved for everyone.

5The safety data deserve the same care. Injury crashes on Mercer fell from four to one, and I am grateful for that. Yet the report also shows that injury crashes on Orchard Avenue, where the diverted traffic now goes, rose from three to five. The danger was not removed; it was relocated two blocks east. As for the survey, it was conducted online and open to anyone who found the link, including visitors from neighboring towns. Sixty-two percent of a self-selected group is an opinion, not a mandate.

6None of this means Mercer Street should return to the way it was. A compromise is available: close the street to cars on evenings and weekends, when foot traffic is heaviest, and reopen it on weekday mornings for deliveries and short-term parking. Customers who need to load lumber or a lawn mower could park again, and families could still stroll on Saturday afternoons. The council should vote no on June 9 and ask the transportation office to test that design for another year. Good policy reads the whole report, not just the first page.

Martin Okafor owns a hardware store on Mercer Street. Both passages are original texts written for this practice set; the authors, city and report are fictional.

Show answer & explanation

Answer: A

Passage 1 presents it as evidence that the closure helped business, but Passage 2 compares it with the citywide rise to argue the closure added little.: Correct. Passage 1, paragraph 3 offers the 6 percent rise as proof that visitors "are spending money," while Passage 2, paragraph 2 sets it beside the 5 percent citywide rise to argue that Mercer Street merely "rode a wave that lifted everyone." This is the Argument skill: the same statistic serves opposite ends.

Passage 1 treats it as the main reason to keep the closure, but Passage 2 argues that the city miscalculated it.: Passage 2 says "I do not doubt the numbers" (paragraph 1), and Passage 1 calls safety, not sales, the point that "should settle the matter."

Both authors accept it as proof of growth, but Passage 2 credits the growth to new cafés rather than to the closure.: Passage 2 credits the rise to a citywide trend, not to cafés; the cafés appear only in the discussion of closures (paragraph 4).

Passage 1 uses it to show that every business gained customers, but Passage 2 uses it to show that most businesses lost them.: Overstates both passages: neither claims that every business gained or that most businesses lost customers.

When two arguments cite the same number, ask what each author compares it with; the comparison, not the number, carries the argument.

Question 9

Read the essay "The Last Pine" and answer the questions that follow.

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: What is the author's purpose in contrasting the men of 1850 with his own generation in paragraphs 3 and 4?

The Last Pine (1906)

1In the courthouse square of Bracken County there stands a white pine that the oldest residents call the Last Pine. It is not, strictly speaking, the last; but it is the last of the great ones, and the county has grown fond of it in the way a man grows fond of the one tooth he has left.

2Sixty years ago the whole county was such pines. A squirrel, the old men say, could go from the river to the state line without touching the ground. Then came the mills, and the mills did what mills do. In thirty years the forest became lumber, and the lumber became houses in Chicago and fortunes in Bracken, and the hills became stumps, and the stumps became, in time, the gullied pasture that the spring rains now carry, a foot a year, into the river.

3I do not blame the men who cut the pines. They were not villains; they were farmers and laborers who needed money, and the trees seemed as endless as the sky. No one in 1850 could imagine that a forest might run out. The fault was not in their axes but in their arithmetic.

4We have no such excuse. We have the census, the survey, and the report of the state forester, who tells us that at the present rate of cutting the remaining timber of this state will be gone within twenty-five years. We know what our grandfathers did not. And knowledge, once we have it, turns innocence into choice.

5The remedy is neither mysterious nor cruel. Cut no more than grows. Replant what is cut. Set aside the steep slopes, where the soil holds only as long as the roots do. Other nations have done these things for a century, and their forests stand.

6Every Fourth of July, the county gathers beneath the Last Pine for speeches and lemonade. We praise our forefathers. We praise our flag. We do not praise the tree, which stands above us all afternoon, saying nothing, a monument to what we had and a warning of what we may yet lose. I should like, some Fourth of July, to hear one speech in its honor. I should like it even more to be unnecessary.

This essay was written for this practice set; its author, Isaac Carden, and Bracken County are fictional. It is modeled on early twentieth-century American conservation essays.

gullied: cut by small channels worn away by running water

Show answer & explanation

Answer: D

to blame the early loggers for carelessly destroying the county's forests: Contradicted: "I do not blame the men who cut the pines."

to praise the hard work of the forefathers who built the county: He excuses them, but the contrast is meant to press his own readers, not to praise the past.

to show that it is now too late to save what remains of the forests: Contradicted by paragraph 5, which offers a remedy that other nations have used.

to argue that since people now know forests can run out, overcutting is a choice: Correct. The grandfathers erred in "arithmetic," but "We have no such excuse," and knowledge "turns innocence into choice" (author's purpose in a historical essay).

Tie each authorial choice to the audience and occasion; the purpose is what the speaker wants that audience to think or do.

Question 10

Read the speech "Address to the Committee on Suffrage" and answer the questions that follow.

Why does the speaker begin by describing how she has climbed the Capitol steps "for eleven winters" (paragraph 1)?

In 1894, Adelaide Fairbrook speaks before a committee of a state constitutional convention, asking that women be allowed to vote in school-board elections.

Address to the Committee on Suffrage (1894)

1Gentlemen of the Committee: I come before you not as a stranger to this Capitol, but as one who has climbed its steps for eleven winters, carrying the same petition and receiving the same courteous reply. You have been kind to us. You have offered us chairs and lemonade and the assurance that our cause will be "taken under advisement." I have begun to suspect that advisement is a large building with no doors.

2I ask today for something narrower than you may fear. I do not ask that the women of this state be given the vote in every election. I ask only that they be permitted to vote for the members of the school boards that govern the education of their own children.

3Consider who now holds that power. In the town of Elmira Springs, the school board consists of a banker, a lumber merchant, and a gentleman who, I am told, has not set foot in a schoolhouse since he left one at the age of twelve. Each is an honorable man. Not one of them has ever sat up through the night with a child who could not learn to read, or walked a daughter to a school whose stove had gone cold. The mothers of Elmira Springs have done these things a thousand times. Yet the law counts their knowledge as nothing and the banker's as everything.

4It is said that women do not need the vote because their husbands vote for them. I have heard this argument for eleven years, and I grant that it has a certain charm. But a vote cast for me is not my vote, any more than a meal eaten for me is my dinner. And what of the widow? What of the woman whose husband is at sea, or in the mines, or in his grave? Does her child deserve a voice less than her neighbor's?

5It is said, too, that politics would coarsen women—that the polling place is no fit room for a lady. Gentlemen, I have seen the polling place. It is a school. In half the districts of this state, men cast their ballots in the very rooms where women teach their children six days a week. If the room is fit for a woman to teach in, it is fit for a woman to vote in.

6I would remind you that in Kansas and in many other states, women already vote in school elections, and the republic has not fallen. The schools have not closed. The husbands of Kansas, so far as I can learn, still eat their suppers. What has changed is that the mothers who know most about the schools now have a say in how they are run.

7Some of you will tell me that the time is not yet. When, then? Shall we wait until every child now in school has grown and gone? The child who is eight years old this winter will not be eight again. Her one chance at a good teacher, a warm room, a book that is not falling apart, comes now, in these years, and it will not come back for any vote you cast later.

8I am not here to shame you. You did not write the law that silences us; you inherited it, as we did. But you can mend it. That is the difference between you and your fathers: they did not know better, and you do.

9Gentlemen, the school belongs to the people who sustain it, and no one sustains it more than the mothers of this state. We wash the clothes the children wear to it. We hear the lessons recited at our tables. We nurse the children when the fever comes through a crowded classroom. We ask now only to have a voice in the place that has always had our hearts.

10Give us that voice, and you will find us not your rivals but your partners. Deny it, and you will find us here again next winter, and the winter after that—for we have learned patience in a hard school, and we are very good students.

This speech was written for this practice set. The speaker and the town of Elmira Springs are fictional; the speech is modeled on nineteenth-century arguments for "school suffrage."

suffrage: the right to vote coarsen: to make rough or crude

Show answer & explanation

Answer: C

to complain that the committee has treated the women rudely in past years: Contradicted: "You have been kind to us."

to show that she knows the workings of the state government better than the committee: Her familiarity with the building is not offered as expertise; the point is the repeated delay.

to show her persistence while gently suggesting that polite delay has replaced action: Correct. the "same courteous reply" and the joke about "advisement" point out, without rudeness, that kindness has produced no result (author's purpose in an opening).

to warn the committee that the women will soon use force to win their cause: Overstates: her final promise is to return "next winter," not to use force.

Tie each authorial choice to the audience and occasion; the purpose is what the speaker wants that audience to think or do.

Question 11

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: How do the two speakers use the fact that the city's population has doubled?

Show answer & explanation

Answer: C

Both cite it, but the speaker in Passage 2 disputes how the population was counted.: Galloway accepts the figure ("and rightly"); he disputes what it means, not whether it is accurate.

Both cite it, but the speaker in Passage 1 uses it to argue for building new housing.: Fenwick describes crowded housing but proposes a park, not new houses.

Both cite it, but one sees a need for room to live and play, the other a need for jobs.: Correct. Fenwick asks where the new citizens live and play (Passage 1, paragraph 2), while Galloway asks "where shall they work?" (Passage 2, paragraph 2): the same fact serves opposite conclusions (comparing arguments).

Both cite it to support the park, but they disagree about how much the park should cost.: Only Fenwick supports the park; Galloway urges defeat of the resolution.

When two arguments use the same fact, compare what each author infers from it; the difference lies in the reasoning, not the information.

Reading Across Genres & Vocabulary

Question 12

How does the speaker respond to the claim that "a library is a luxury" in paragraph 5?

Show answer & explanation

Answer: A

She grants that the town has real needs, then argues that the library is how they will be met.: Correct. "I grant that we have needs" concedes the point, and "It is the means by which we will meet them" rebuts it by redefining the library as a necessity.

She denies that the town has other needs, then argues that the library deserves first place.: She does the opposite of denying: she names the mud, the crowded school and the hard winters.

She agrees that the library is a luxury, then argues that the town has earned one at last.: She rejects the label: "A library is not a luxury that competes with our needs."

She sets the town's needs aside, then appeals to the children to support the new library.: She says "I do not ask you to forget them," and the appeal to young people comes later, in paragraph 7.

Concession and rebuttal has two moves: granting part of an objection and then turning it. Find both before judging the effect.

Question 13

How does Passage 2 transform the ending of the parable told in Passage 1?

Show answer & explanation

Answer: C

Passage 2 keeps the father's celebration but leaves out the older sibling's complaint.: Tamsin's complaint is central to Passage 2 (paragraph 9).

Passage 2 has the younger sibling refuse the celebration, while Passage 1 has him accept it.: Noah does not refuse the party; he stays at the sink, and the younger son in Passage 1 never responds at all.

Passage 2 resolves the older sibling's choice, which Passage 1 leaves open after the father's reply.: Correct. Passage 1 ends with the father's words and never says whether the older son goes in; Passage 2 has Tamsin walk inside and join Noah, settling what the source leaves open.

Passage 2 has the father side with the older sibling, while Passage 1 has him side with the younger.: Neither father simply takes a side; both fathers love both children and defend the celebration.

To analyze an adaptation, compare endings closely: note what the new text adds, removes or resolves.

Question 14

This question has two parts. First, answer Part A. Then, answer Part B.

Part A: How does the poem in Passage 2 transform the myth's account of Persephone's departure?

Show answer & explanation

Answer: A

It swaps a violent abduction for a free choice but keeps the mother's sense of loss.: Correct. Persephone is "seized," but the daughter in Passage 2 "chose the school"; still, the mother feels "the floor give," echoing the ground splitting in the meadow (adaptation of a mythical source).

It keeps the abduction but moves it from an ancient meadow to a modern airport.: Contradicts the poem: "No one has taken her."

It gives the mother the goddess's power to make the fields around her grow or die.: The speaker says "I am not a goddess"; her neglected basil is a small echo, not a power over the earth.

It replaces the mother's grief with a calm relief that her daughter is finally leaving.: The speaker still mourns (she sits in a cold kitchen and lets the basil die).

Compare what the adaptation keeps from the source with what it changes, and ask what the change lets the new text say.

Question 15

How does the figurative language in the third stanza (lines 16–25) create a mood of relief? Select two.

0 of 2 selected
Show answer & explanation

Answer: A, E

Describing the water as "open and astonished" (line 19) makes the thaw feel like a joyful surprise.: Correct. Personifying the water as astonished turns the feared "breaking" into a moment of wonder.

The phrase "taking the whole sky in at once" (line 20) suggests that the lake is greedy, swallowing the light.: Misreads the image: water open to the whole sky suggests wonder and freedom after a long winter, not greed.

The phrase "given back" (line 18) suggests that the father resents losing the ice he had measured all winter.: "Given back" presents the thaw as a gentle return, and the father watches the open water with relief, not resentment (lines 24–25).

The "holding its breath" simile (line 21) suggests a tension in the lake that has not yet been released.: Reverses the image: the water is now "taking the whole sky in," so the held breath has been let out; the simile marks release, not lingering strain.

The image of watching "someone sleeping who has been sick and is not sick now" (lines 24–25) suggests grateful relief.: Correct. The image of a patient past the worst of an illness carries quiet, thankful relief.

Name what is being compared and the feeling the comparison carries; the mood comes from the connotations of the image, not its literal content.

Test yourself under exam conditions

Take the free Florida FAST test and get a score report by domain.

The full Florida FAST question bank is coming. Get an email when it launches.