GA Milestones EOG Practice Questions (2026) — Free Sample Questions with Answers

13 free GA Milestones EOG questions from our 150-question bank, grouped by content domain. Each answer explains why the right option is right — and why every wrong option is wrong.

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Interpreting Texts

Question 1

Both authors discuss the switch to LED streetlights. How do their interpretations of the switch differ?

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Answer: A

Passage 1 treats it as a cause of brighter skies, while Passage 2 treats it as a success that taught lessons.: Correct. Passage 1 says LEDs "made the problem worse in some places"; Passage 2 calls the switch "one of the clearest successes" and notes the lessons learned about glare.

Passage 1 says LEDs waste energy, while Passage 2 says LEDs save energy and money for cities.: Passage 1 also says "LEDs save energy"; the authors agree on energy and differ on how to judge the result.

Passage 1 says LEDs harm sea turtles, while Passage 2 says LEDs protect birds that migrate at night.: Neither passage connects LEDs to sea turtles or claims that LEDs protect birds.

Passage 1 calls the switch a complete failure, while Passage 2 says no changes to LEDs are needed.: Both claims are too extreme: Passage 1 says "in some places," and Passage 2 describes changes such as warmer LEDs.

Two authors can accept the same facts and still interpret them differently; compare the judgment each one draws.

Question 2

How does paragraph 6 contribute to the development of ideas in the article?

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Answer: D

It introduces a new main idea about how tardigrades could be useful in medicine.: The medical use is introduced in paragraph 7, not paragraph 6.

It shows that the experiments described in paragraph 4 were poorly designed.: Paragraph 6 never questions how the experiments were done; it explains that survival depends on the tun state.

It explains the steps a tardigrade follows to form a tun as its habitat dries.: The tun is described in paragraph 3; paragraph 6 mentions drying only to explain a limit.

It qualifies the earlier picture of tardigrade toughness by showing its limits.: Correct. After paragraphs 3–5 describe amazing survival, paragraph 6 explains that active tardigrades are delicate and that even tuns often die, so the toughness "belongs to one special state."

Expository writers often follow impressive evidence with a qualifying section; ask how a paragraph changes or limits what came before it.

Question 3

Read "The Spider in the Corner." Then answer the questions.

How does the story draw on the myth of Arachne?

The Spider in the Corner

1Everyone at the Juniper Street Arts Center agreed that Gemma Hale could paint. At fourteen she could mix a sky so true that people reached out to touch it, and she could catch a face in four quick strokes. The trouble, as her grandmother put it, was that Gemma agreed with everyone a little too loudly.

2"I taught myself," Gemma said whenever anyone asked. This was not exactly true. For two years Ms. Adeyemi, the center's director and the muralist whose work covered half the walls downtown, had stood behind Gemma's easel every Saturday, saying almost nothing, now and then reaching over to tilt a brush or to point at a shadow that had gone muddy. Gemma had decided those moments did not count.

3When the city announced a contest to design a mural for the new library wall, Ms. Adeyemi entered too. Gemma laughed. "If she's afraid of losing to a student," she told a group of younger kids, loudly enough to carry across the studio, "she shouldn't enter."

4That night her grandmother set down her mug of tea. "You know the story of Arachne?" she asked. Gemma rolled her eyes; she had heard it at every birthday since she was six. Arachne was a weaver so skilled that she claimed no goddess had taught her, and she challenged Athena herself, weaving a tapestry so perfect and so insulting that the goddess turned her into a spider. "The old storytellers say it's about pride," Nana Elsie said. "I always thought it was about forgetting who held the loom steady when you were learning."

5Gemma's design was flawless. It showed the city's history in seven bright panels, and in every panel, tucked among the crowds, was a tiny caricature of Ms. Adeyemi: dozing at an easel, painting by numbers, copying a student's sketch. The joke was clever. It was also, Gemma knew even as she painted it, a little cruel.

6The judges chose Gemma's design. At the ceremony she waited for Ms. Adeyemi to look angry, or hurt, or at least embarrassed. Instead the director studied each caricature with interest, the way she studied anything on a wall, and then turned to Gemma. "Your perspective in the third panel is excellent. Your shadows in the fifth are still muddy."

7The library hired Gemma to paint the mural that summer, and it hired Ms. Adeyemi to supervise. Every morning Gemma climbed the scaffold to find a small note taped to the wall: Cool your blues here. Watch the horizon line. Gemma ignored the notes for a week. In the second week the fifth panel began to go wrong, the shadows thickening into mud exactly where she had been warned, and she spent two afternoons scraping it down.

8In the third week she started following the notes.

9On the last day, when the scaffolding came down, Gemma noticed something she had not painted. In the bottom corner of the fifth panel, so small that only someone standing close would see it, was a spider, delicately drawn, hanging from a single thread. Beside it, in tiny letters, were two sets of initials: hers and Ms. Adeyemi's.

10Gemma stood in front of it for a long time. In the myth, the spider was a punishment that lasted forever. This one felt more like a question. She thought about the Saturdays, the tilted brushes, the shadow that had been pointed out to her a hundred times before she ever learned to see it herself.

11That evening she went back with her smallest brush. She did not paint over the spider or the initials. Instead, one at a time, she painted out each tiny caricature of Ms. Adeyemi, and in each empty space she painted the director as she really was on those Saturdays: standing behind a young painter's easel, pointing out a shadow that had gone muddy.

Show answer & explanation

Answer: D

It retells the events of the myth in the same order as the original, changing only the names of the characters and the setting.: The story changes the outcome: Gemma is not punished, and the spider becomes something she chooses to keep.

It reverses the roles in the myth so that the older, more experienced artist is the one who shows too much pride in her work.: Gemma, the young artist, is the proud one, just like Arachne; Ms. Adeyemi stays calm.

It uses the myth to show that a gifted young person's pride will always be punished in the end, just as Arachne's was.: Gemma is never punished; the story replaces punishment with a chance to change.

It keeps the myth's proud student and her challenge to an elder but turns the spider into an invitation to change.: Correct. Like Arachne, Gemma claims no one taught her and mocks her teacher in her art, but the spider "felt more like a question" (paragraph 10), and Gemma answers it by changing the mural.

When a modern story draws on a myth, look for what it keeps (character types, event patterns) and what it changes (outcome, meaning).

Question 4

How does the flashback in paragraphs 4 through 6 contribute to the story?

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Answer: A

It explains the meaning behind the bell and the knot saying, which helps Hana understand her grandfather at the end.: Correct. The flashback shows where the bell ritual and "you can always untie it" came from, so the reader sees why Hana accepts "Like a good knot" in paragraph 9 and ties a knot that is "easy to loosen."

It creates suspense about whether Hana will be hurt again when she walks out alone to the very end of the dock.: The flashback tells events that are already over and ended safely, so it does not build suspense about her safety.

It shows that Hana is still afraid of the water and explains why she wants so badly for the shop to stay open.: The flashback ends with Hana at the end of the dock with her feet in the water, so her fear is in the past.

It reveals that the grandfather once planned to leave the shop to Hana when he finally retired from fishing.: Nothing in the flashback mentions plans for the shop's future; this is an inference the text does not support.

A flashback's purpose is judged by how its past events connect to the present conflict and its resolution.

Constructing Texts

Question 5

Select the correct verb for each blank. If I class president, I would ask for a longer lunch period. My teacher suggested that Leila her campaign speech before Friday.

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Answer: (1) were, (2) practice

The subjunctive mood uses "were" for unreal conditions and the base form of the verb after verbs such as suggest, recommend, and insist.

Question 6

The writer wants to add a sentence after sentence 9 that rebuts the counterclaim. Which sentence BEST does this?

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Answer: A

The period would use only forty minutes a week, and nearby schools with club periods have seen no drop in scores.: Correct. It answers the worry about lost class time directly, with a small time cost and evidence that scores did not fall.

Testing is stressful for students and teachers alike, and many students worry about their scores all spring.: This adds to the testing concern instead of answering it.

Many teachers already give up their own free time to coach sports teams and to tutor students after school.: This praises teachers but does not respond to the concern about class time.

Students in clubs build teamwork, confidence, and patience, as the examples in the second paragraph show.: This repeats a reason for the claim but does not address the counterclaim about instruction time.

A rebuttal must answer the specific concern raised in the counterclaim, ideally with a reason or evidence.

Numerical Reasoning

Question 7

Ravi explains how he approximated to the nearest tenth using squares. He knows that and .

Which statement gives the correct approximation and a valid reason?

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Answer: C

  1. 1. , so .
  2. 2. The rounding boundary is 2.65: .
  3. 3. , so .
  4. 4. Therefore to the nearest tenth.

, because 7 lies between 6.76 and 7.29 and 2.7 is the greater bound: Being between the two squares shows only that the root is between 2.6 and 2.7; it does not decide which tenth is closer.

, because , which is less than 7: Squares 2.65 incorrectly; , not 6.9225.

, because , which is greater than 7: Correct. The halfway value 2.65 squared is 7.0225, which is more than 7, so is less than 2.65 and rounds to 2.6. (A calculator confirms .)

, because is less than 7: The conclusion is right but the reason is not: is also true of , which rounds to 2.7. Only comparing 7 with settles the rounding.

To round a square root to the nearest tenth, square the halfway value (such as 2.65) and compare it with the radicand.

Patterning & Algebraic Reasoning

Question 8

Classify each relationship as proportional or non-proportional.

ProportionalNon-proportional
a table with the pairs (1, 4), (2, 7) and (3, 10)
the line through (−2, 5) and (4, −10)
the cost of renting a kayak at $12 per hour, with no other fees
Select one option in each row.
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Answer: a table with the pairs (1, 4), (2, 7) and (3, 10): Non-proportional; y=34x: Proportional; the line through (−2, 5) and (4, −10): Proportional; the cost of renting a kayak at $12 per hour, with no other fees: Proportional; y=3x+0.5: Non-proportional

A linear relationship is proportional only when it can be written y = mx, so its graph passes through the origin; any nonzero b makes it non-proportional.

Question 9

What is the least number of shirts the team must sell to make a profit of at least $500?

Enter a number. Fractions may be entered as a/b.
Show answer & explanation

Answer: 66 shirts

  1. 1. Profit: .
  2. 2. Solve : , so .
  3. 3. Shirts come in whole numbers, so the least value is 66.
  4. 4. Check: 66 shirts give ; 65 shirts give .

When the variable counts whole objects, round a decimal boundary in the direction that keeps the inequality true (up, for "at least").

Functional & Graphical Reasoning

Question 10

The graphs of and cross at a point that is not on a grid point.

Which statement about the solution of the system is true?

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Answer: C

  1. 1. Set the expressions equal: .
  2. 2. , so .
  3. 3. .
  4. 4. Check in the other equation: .

The solution is (2, 3), because that is the grid point nearest to where the lines cross.: (2, 3) is on , but , not 3, so it is not on the other line.

The system has no solution, because the lines do not cross at a grid point.: Lines with different slopes (2 and −1) always cross exactly once, whether or not at a grid point.

The solution is exactly , which a graph shows as about (1.7, 2.3).: Correct. gives , so and ; a graph can only estimate this as about (1.7, 2.3).

The solution is exactly (1.7, 2.3), because that is where the graph shows the lines crossing.: (1.7, 2.3) is a rounded estimate: , not 2.3. The exact solution is .

A graph gives an estimate of a solution; solve algebraically to find the exact intersection, and check it in both equations.

Question 11

Which statement BEST interprets the slope of the line of fit?

Tamsin collected data on the ages and selling prices of 10 used bicycles at a resale shop. She drew the line of fit shown, whose equation is , where is the age in years and is the price in dollars.

Used bicycle ages and prices
123456789100200300400500Age (years)Price (dollars)
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Answer: C

Each bicycle loses exactly $37.50 in value every year.: Treats the model as exact for every bicycle; the points are scattered around the line, so the slope describes a tendency.

A bicycle that is 0 years old is predicted to sell for about $450.: This describes the y-intercept, 450, not the slope.

Each additional year of age is associated with a price about $37.50 lower.: Correct. The slope, dollars per year, means that, on average in these data, each extra year of age goes with a price about $37.50 lower.

Each additional year of age is associated with a price about $450 lower.: Uses the y-intercept as the rate of change.

The slope of a line of fit is the predicted change in y for each 1-unit increase in x, described as an association ("is associated with"), not an exact rule.

Question 12

Ulla recorded the number of hours 12 students spent on a reading app in one week and the number of pages each student read. She drew two possible lines of fit. Which line is the better fit, and why?

Reading app use and pages read
24681020406080100Hours on the app per weekPages readLine 1Line 2
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Answer: A

Line 2, because it follows the trend and has about as many points above it as below it: Correct. Line 2 runs through the middle of the cloud: 7 points lie above it and 5 below, all fairly close to it.

Line 1, because it passes exactly through two of the data points: Passing through data points does not make a good fit; the other 10 points all lie below Line 1.

Line 1, because every data point lies on it or below it: Having all the points on one side is the sign of a poor fit; a line of fit should split the points roughly evenly.

Neither line, because a line of fit must pass through both the first and the last data points: A line of fit does not have to pass through any particular point; it is placed to follow the overall pattern.

A good line of fit follows the direction of the data with the points close to it and roughly balanced above and below; it need not pass through any data point.

Question 13

Both patterns continue. After 12 weeks, how many more dollars will Quentin have in his account than Nadia will have in hers?

Enter a number. Fractions may be entered as a/b.
Show answer & explanation

Answer: 11 dollars

  1. 1. Nadia's rule: rate 12 per week, initial value 45, so .
  2. 2. Nadia at 12 weeks: .
  3. 3. Quentin at 12 weeks: .
  4. 4. .
  5. 5. Check Nadia's rule against the table: .

Write each function as y = mx + b using its rate of change and initial value, then evaluate both at the same input.

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